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Florescu for News took this photo. Experts picked Maria Corti's spruce after an exhaustive search that included examining numerous potential candidates from a helicopter. Read more: http://www.nydailynews.com/ny_lo

I’m in New York.  Last night I took a little field trip to see the tree in Rockefeller Center.  Why?  I loved that it came from the Connecticut backyard of a fifth-grade teacher, Maria Corti.  She’d called and suggested it last year.  When she heard nothing, Maria assumed the offer hit the circular bin.  She was surprised and delighted when New York officials called to accept her tree in the place of honor.

(Officials credit the lush perfection of the tree to the fact that it grew up over a septic system.  Natural fertilizer, and all that.)

So I had to go see it.  Workers were swarming all over it, late at night.  It will take until December 2 to get the tree fully installed and decorated. I took a photo that came out way more artsy than I intended.

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I’m only on Real Deal No. 2 and I had imagined stories about direct connections with people and places.  I’m not from New York.  I don’t know Maria.  But I loved that she wanted to share her tree with me, and everyone else.  I do feel a direct, human connection.

On a side note, my day yesterday began and ended with highly confectionary experiences.  Here is the photographic evidence:

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9:00 AM yesterday, Boston. Taste testing the most exciting ice cream I have ever encountered. And I know my ice cream. If you think you do too, don't miss this Grommet.

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9 PM yesterday. New York. Dylan's Candy Bar. My youngest son asked me to bring him something back.

I hadn’t been to Dylan’s before.  I had heard plenty about it.  I was underwhelmed.  The quantity and variety of choices was impressive.  But the prices were stratospheric.  Case in point:  I saw a lovely holiday lollipop in the window at Henri Bendels for $6.  Way too much I thought–not worth the price.  Same lollipop at Dylan’s for $7.  Made Bendels a bargain.

But I did love the Dylan’s stairways:  translucent backlit material littered with embedded real candy:

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At Grommet we get to give a name and face to businesses that would otherwise likely be depersonalized in a “normal” commerce experience.

As a companion to my day job, I am going to start sharing some of the more local “real deals” I find in my ordinary travels.  These are businesses or experiences that humanize life.  I’d love for others to share theirs and I will post them.  Just send me photos (and a little narrative) about real-world places, businesses, experiences that personalize your own daily travels.  Here is my first installment.

Dave’s Fresh Pasta–Somerville, Massachusetts

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Dave's Fresh Pasta, Somerville, MA

Dave’s Fresh Pasta is a crowded, cheerful warren of little food-filled rooms.  Beyond the homemade pasta, Dave’s sells a lovely cross section of cheeses, wines, dry goods, and produce, plus great deli creations.  You can craft a dinner on the spot or just happily order for immediate consumption.

I like watching customers enter.  As people cross Dave’s threshold, they magically transform from “blah” to delighted. Couples cuddle up, they smile, people breathe deeply. Their whole affect says, “I am in a good place. These Dave’s people know what they are doing. I can’t go wrong here with the [fresh ravioli, or cheese, or wine, or deli sandwich] I’m about to select.”

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Getting my pumpkin and goat cheese ravioli boxed up. As one couple was repeatedly somewhat slow to respond to questions about their order, this employee rolled her eyes and said quietly, knowingly: "Lovebirds."

Sorry about blurry photos…getting use to my new Droid.

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Cornucopia of cheese. Charmed to note the value created by the helpful annotations that go with the curated selections. I like when a bookstore or video rental place does that too. "Staff picks" etc.

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Dave encourages people to donate CD's that the shop then sells for $1, donating the proceeds.

I’ve only been to Dave’s twice and I already trust the place.  Everything I’ve tried is worth the effort of getting there, and I want to support their emphasis on careful curating of quality.  You don’t need vast choices when it comes to wine, or cheese, or olive oil, or pasta.  You just need good ones.

P.S. I liked this short Globe essay by Christopher Muther, about faux town center malls.   It came out a few days after I wrote this post.   It’s called “He’s Authentically Disappointed.”  New lifestyle center is a mall of confusion – The Boston Globe

EARNS TARGET

(AP Photo/David Zalubowski)

Everyone loves a good deal, right?  What’s wrong with that?  Alas, if you care about fostering real product innovation, if you care about building vibrant American enterprises which pay a true living wage to their workers, and if you care about preserving true consumer choice and competition–there’s a whole lot wrong with the American obsession with getting a “great deal.”

I’ve been walking around, feeling somewhat like a Lorax-like “Save the Trees” person, worrying about this idea.  I didn’t even have words for my concerns.  After all,  cheap prices are an American birthright, no?   And then I tripped on the great book Cheap, by Ellen Ruppel Shell.  I started reading it yesterday.  Her messages are so important that I won’t wait to finish the book to begin sharing them.  She needs to be heard and understood by anyone who buys anything. Consumer purchases drive 65% of our economy.  I consider the discussion of discount culture to be as important as fixing health care, in our economic recovery.  And the discussion goes way beyond economics, to the very quality of life.

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Here are some excerpts straight from the first chapters of Cheap:

  • This first fact is just plain appalling. Read this and weep.  ” Factory outlets are America’s number-one tourist destination.”  Really?  Is getting 50% off of a Banana Republic shirt more compelling than Mount Rushmore?  Oh the pain.
  • Design used as subterfuge, in creating a disposable society. “In the world of Cheap, “design” has become a stand-in for quality,  Companies such as Target, H & M, and Zara offer consumers the look they love at a price they can live with–but at what true cost?….the genius of IKEA and other cheap-chic purveyors is that they have made fashionable, desirable, and even lovable objects nearly devoid of craftsmanship.  The environmental and social implications of this are insidious and alarming.”
  • We no longer associate real costs and real jobs with prices at retail. Americans habitually fret that we are paying too much.  We think paying full price is a sucker’s game.  “From Lisa Bolton, a professor at Wharton:  “‘There is good reason for this confusion.  Most of us have absolutely no idea of what goes into setting a price.  Consumers don’t think about the costs behind what they buy.  They link price to profit, and they grossly overestimate profit margins.’”
  • But we are paying less than ever. ” The fear of inflation-driven price hikes is so deeply ingrained in the national psyche that many of us believe we pay far more for goods and services than our parents or grandparents.  We barely notice that prices of most consumer goods–even food and fuel–have been trending downward for decades.  The rather astounding facts are these:  Compared with the early 1970’s, in 2007 we spent 32 percent less on clothes, 18 percent less on food, 52 percent less on appliances, and 24 percent less on owning and maintaining a car.”  (I used to sew a lot of   my own clothes, until the early ’80’s.  It just doesn’t make sense, economically, any more.  Clothes are dirt cheap.)
  • “Technology-driven globalization has pushed real prices to rock bottom in almost every category–a trend that verged on the desperate in late 2008 when even tony retailers such as Saks and Nordstrom engaged in an orgy of price slashing so extreme that it threatened to tarnish the reputation of their own brands.”

I know, I know.  About now you are thinking, free markets prevail.  The strong survive.  They are the ones who deserve to prosper.  This notion is as old as the hills, and the “haggling rug merchants of Istanbul or the teeming bazaars of Marrakesh.”  Are these venerable institutions so different from the big box retailers and online discounters?

Well, yes, the author maintains.  “The ancient marketplace was built on a balance of power between buyer and seller that is all but gone today.  A cascade of corporate scandals and screwups from Enron to Haliburton to Citibank to Bernie Madoff’s audacious Ponzi scheme has shaken whatever faith we once held in corporate responsibility, and this mistrust has dripped down to the retail level.”  As consumers we exact our “revenge” or get “our due” by seeking the maximum possible discounts on….everything.

But in the world of food production, or technological innovation, or furniture building, it is rarely the truly inventive, or quality-concerned, or creatively entrepreneurial company that can fuel massive discounts.  It’s the big guys with dominant scale who can, temporarily, sustain such pressure.  It’s only temporary.  They too lose their R and D budgets, and their staff, and their basic viability too.

Ruppel Shell neatly illustrates her basic premise with this example from George Akerlof, a Nobel Prize winner in economics:

  • Gresham’s law: Bad money drives out good. “Imagine that a quart of high-quality milk wholesales for $1.00, and a quart of watered-down milk wholesales for 60 cents.  A typical buyer might willingly pay up to 80 cents for the watered-down milk and up to $1.20 for the pure milk.  In either case, mutual gains would be made from the transaction:  Both the buyer and the seller know what he or she is getting, and both end up with what might be considered a fair deal.  But if the customer is unable to distinguish quality, both grades of milk must sell for the same price–about 90 cents a quart.  Under this system, honest brokers of pure milk go bankrupt, while corrupt watered-down milk sellers flourish.  So logically enough, soon all surviving merchants are watering their milk and pocketing large profits, and consumers believe they are getting a bargain when in fact they are being ripped off.”

She concludes, “In American today, Gresham’s law rules, with sweeping consequences, both obvious and subtle.  The way we shop, the way we do business, and the way we think about money all reflect this new reality.”

This, in a nutshell, is why discount culture terrifies me.  And this is one reason I am devoting my professional life to creating a connection between products, their stories, and consumers.

How can you willingly pay “full price” if you don’t really understand what you are buying?  I truly believe that if people appreciate how special it is to make a an all-natural caramel sauce, or the benefits of an innovative travel accessory from a tiny startup company, or the sustainable practices of a wood turner, they will prefer those choices.  But in the sanitized vacuum of most online and bricks and mortar retailers, no one is telling any story but the most obvious one…that of price.  A shallow and dangerous story, indeed.

This is me and Joanne, sometime in 2008, a couple months before our Daily Grommet launch.

Notice the empty shelves....just a few scattered possible Grommets.

Notice the empty shelves....just a few scattered possible Grommets.

This is the two of us, last week, a little over a  year later.

You can hardly see us, for all the Grommets crowded on the shelves!

You can hardly see us, for all the Grommets crowded on the shelves!

(We really did not plan to dress like Bobbsey Twins in both pictures, BTW.  Just happened.  I do like that we actually look happier now than then!)

Here is what I learned in the intervening year between these photos:

  1. There is no room for compromise on your partners.  And you need them. I would not be smiling if I did not have Joanne by my side. I really don’t know how solo startup founders do it.   You need to be challenged, mutually supported, and the sheer workload is just too much for one leadership person.  Beyond that, running a startup is a race against time and it takes real distributed horsepower to stay one step in front of the zillion things threatening to kill you every day. 
  2. There’s going to be a special place in Heaven for startup teams birthed in the last year. Because the last 12 months have been a special brand of Hell on Earth for all of us.  Are there good things about launching in a financial crisis?  Sure.  There must be some.  We will think of them when Inc. magazine comes to do a profile.
  3. There is no room for fear and plenty of need for guts. There are a few things that have the power to scare me.  Possible burn-out by key team members.  Stomach flu (really!). House fires. But when I think about the broader life picture, I realize I’ve never had a safety net.  The only “privilege” in my background is coming from a rock-solid family.   (This is a common life-theme on our team, BTW. We were  born with shovels in our hands, not silver spoons.)  Yet in the last year I realized that having comfort during  a perpetual high-wire act is pretty unusual. (I’m speaking about most of the time–I do have Yikes! moments fo’ sure.) It’s easy to take risks when you have the cushion of money flowing freely in a good economy, or you come from privilege, or you’ve struck it big before.  Doing it this year, especially with none of those advantages,  takes guts.
  4. The people missing in the photo are probably more important than the ones getting their picture taken. I am thinking of our ridiculously fierce and courageous team.  But I am also thinking of our families. The sacrifices they make probably exceed our own. 

Surely,  most of these lessons were shared by anyone who started a company in the last 18 months.  I’ve seen a bunch of experienced entrepreneurs pull the plug quickly in 2009, planning to “wait this one out.”

I realized lately that I take a lot of Daily Grommet pictures because I know these early days tend to turn out to be some of the best ones.  I want to remember them vividly, for both their pain and glory.  I am sure I will learn a bunch of new lessons next year.  I may not get smarter, but getting wiser is inevitable.

Gigs wanted

Slide1

This is the first slide from the talk I gave at Savannah College of Art and Design.  It was fun.  Only one guy fell asleep, from what I could tell.  So that must mean I am ready for prime time.

But I’m not exactly on the speaker circuit.  I’d love help from my blog readers.  Feel free to suggest me to event organizers.  I’d particularly enjoy:

  • Going to cool cities like Savannah
  • Speaking to people ready join the movement I am evangelizing
  • Speaking at design, brand, social media, retail, marketing-oriented events

A word of warning…    A subset of this topic is vaguely Socialist.  I envision a world where “The People” get to decide which products get discovered, shared, discussed, and supported.  With Daily Grommet as the platform.  See Slide 2, below.

Slide2

Thanks in advance for your help!

I’m just back from a short stay at the Savannah College of Art and Design–I attended industrial design studios, met with possible Grommet creators, and gave a talk to the students and faculty.  It’s an impressive place.  Only 30 years old and yet it has almost 10,000 students across a variety of programs.  The energy is palpable.  The vision is too.  I met a bunch of dynamic design professors and students.  It’s really a privilege to be in such an entrepreneurial academic institution.  Here’s a little photo essay.

This building houses both Admissions and the Graphic Design Program...one of the gracious old brick reclamations.  SCAD has a policy of buying and renovating historic properties in Savannah.  As such the school has been the main preservation force in the city.  It creates a very distributed urban campus, which the administration pulls together by holding magnet events in a wide variety of buildings, to pull the community together.

This building houses both Admissions and the Graphic Design Program...one of the gracious old brick reclamations. SCAD has a policy of buying and renovating historic properties in Savannah. As such the school has been the main preservation force in the city. It creates a very distributed urban campus, which the administration pulls together by holding magnet events in a wide variety of buildings.

Just inside those doors.

Just inside those doors.

The school has a very sophisticated and controlled visual identity in most communications, but it breaks all the rules when it comes to exterior building signage.  It creates whatever signage is appropriate to the period of the building.  This is a newly renovated theater.

The school has a very sophisticated and controlled visual identity in most communications, but it breaks all the rules when it comes to exterior building signage--using whatever signage style is appropriate to the period of the building.

Savannah College of Art and Design, Gulfstream Centre for Design.  SCAD makes it a policy to reclaim buildings and renovate them to accommodate its growth.  As such, its architectural preservation influence on the city is admirable.   This can't be the easy way to do things.  In this case the furniture and industrial design programs are housed in a reclaimed warehouse.

Savannah College of Art and Design, Gulfstream Centre for Design. The furniture and industrial design programs are housed in this reclaimed warehouse.

Student work

Student work

Student work....Philippe Starck...look out!

Student work....Philippe Starck...look out!

Professor Peter Fossick's Senior Studio

Professor Peter Fossick's Senior Studio

One of many model shops

One of many model shops

I couldnt believe the students have access to the normal complement of shop space and equipment (albeit tons of it) but also a laser cutter, a CNC machine and five (count 'em) Fuse Deposition Modelling machines (3-D Printer).  When I was an ID student we made nearly everything totally manually.  A vacu-form machine was high tech to us.  These students can, hopefully, spend more time on their ideas, and less time on hand crafting models.

I couldn't believe the students have access to the normal complement of shop space and equipment (albeit tons of it) but also a laser cutter, a CNC machine and five (count 'em) Fuse Deposition Modelling machines (3-D Printer). When I was an ID student we made nearly everything totally manually. A vacu-form machine was high tech to us. These students can, hopefully, spend more time on their ideas, and less time on hand crafting models.

Tom Gattis, head of the Industrial Design Department. He's an expert wood turning craftsman in his spare time. The vase in front is made from the local palm trees.

Tom Gattis, head of the Industrial Design Department. He's an expert wood turning craftsman in his spare time. The vase in front is made from the local palm trees.

Professor David Ringholz, in front of a student project, sponsored by Hobie.

Professor David Ringholz, in front of a student project, sponsored by Hobie.

I was put up at the immense SCAD private guest mansion, Magnolia House.  After years of rough startup budget travel, I could not have been more appreciative.  This beats sleeping on couches in the apartment of a friend of a friend, for sure.

I was put up at the immense SCAD private guest mansion, Magnolia House. After years of rough startup budget travel, I could not have been more appreciative. This beats sleeping on couches in the apartment of a friend of a friend, for sure.

The view from the front porch of Magnolia House, towards Forsyth Park.  It's where the author of "Midnight in the Garden of Good and Evil" stayed while writing the book.

The view from the front porch of Magnolia House, towards Forsyth Park. It's where the author of "Midnight in the Garden of Good and Evil" stayed while writing the book.

Magnolia House

Magnolia House

Each room has a sophisticated theme, and is appointed with interesting art from SCAD alum and staff.

Each room has a sophisticated theme, and is appointed with interesting art from SCAD alum and staff.

No detail is left unattended at Magnolia House.

No detail is left unattended at Magnolia House.

I loved the texture of Savannah...the mix of the really old and new.  And this...a lot of "kinda old" but familiar too.  In a movie set kind of way.  Robert Redford was, in fact, shooting "The Conspirator" there now.

I loved the texture of Savannah...the mix of the really old and new. And this...a lot of "kinda old" but familiar too. In a movie set kind of way. Robert Redford was, in fact, shooting "The Conspirator" there during my visit.

Savannah is a real food town.  I had shrimp and grits at "Uncle Bubbas" and two fine dinners at Sapphire Grill and    .  This is a photo of The Back in the Day Bakery, where Rob Walker normally gets the imported Mexican Coca Cola he favors, and wrote about a couple weeks back.   This photo is from the Little Pink Studio blog.

Savannah is a real food town. I had shrimp and grits at "Uncle Bubbas" and two fine dinners at Sapphire Grill and Local 11 Ten . This is a photo of The Back in the Day Bakery, where journalist Rob Walker normally gets the imported Mexican Coca Cola he favors, and wrote about a couple weeks back, in the NYT magazine. This photo is from the very fun Little Pink Studio blog.

It's really fun to visit shops in such an art-inspired town.

It's really fun to visit shops in such an art-inspired town.

People dress better too.  I'm sometimes intimidated by the aggressive femininity of Southern women.  The Savannah version tends more towards inspiring.

People dress better too. I'm sometimes intimidated by the aggressive femininity of Southern women. The Savannah version tends more towards inspiring and witty, not intimidating.

Display inside Paris Brocante

Display inside Paris Market

The charming Savannah Bee Company

The charming Savannah Bee Company

With equally charming people inside, sampling honey for visitors.

With equally charming people inside, sampling honey for visitors.

iI mainly scouted for Grommets, but I did come home with one personal find....this pair of earrings made of watch parts.  They are the creation of a SCAD student, Cassie Warnat, and I found them at ShopSCAD--a place to buy pieces from SCAD students, alum, faculty and staff.

I mainly scouted for Grommets, but I did come home with one personal find....this pair of earrings made of watch parts. They are the creation of a SCAD student, Cassie Warnat, and I found them at ShopSCAD--a place to buy pieces from SCAD students, alum, faculty and staff.

I am grateful to Julia Kemp, a SCAD alum and our former summer intern who suggested this trip, and to Tom Gattis and Sheila Magness, who made it happen.  I would be delighted to return to SCAD anytime!

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What do you know–Daily Grommet turned one!   We launched October 20 of 2008–the same time as the stock market crashed.   According to conventional wisdom, it was a funky year to start a business.  But, thankfully,  we learned that tough times actually make people even more thoughtful about the products and services they support.     So…..it was a truly great year to start Daily Grommet.

We’re celebrating with a renovated site design.   Please let me know if we hit (or missed) the mark on achieving the site design goals, below:

  • Make it easier to find the catalog of Grommets. We used to make people work WAY too hard to find the single button that got you there.  But the reality is that each Grommet lives and breathes on our site in perpetuity.  The conversation with their creators often continues on way past the day that the Grommet was on our home page.  So now you can, hopefully, find them easily, and add comments about your own experiences with a Grommet you buy from us.
  • Keep a thumbnail view of the most recent Grommets on the home page. When new people show up on our site and we are featuring, say, a piece of outdoor gear, they think that is all we do.  Showing a little photo of other recent Grommets will help people get a quicker grasp on the range of things we find.  And it will help our regular Grommet viewers keep tabs on what they might have missed.
  • Make it easier to submit a Grommet idea, by putting the calls for submissions more prominently on the page.
  • Make it easier to share a Grommet on Facebook, Twitter, etc.
  • Make it possible to buy more than one Grommet at a time. I know.  That sounds awfully basic.  We ARE an e-commerce site.  But, like etsy (a great place to find handcrafts), we used to make people buy directly from the Grommet supplier, once the Grommet was in the catalog.  That slowed people down too much–having to navigate new sites and a separate transaction for every purchase.
  • Don’t go messing with people’s minds. Keep true to the homegrown experience we built over the last year.
  • Keep it simple. I’m worried we cluttered things up too much.  What do you think?

Thanks for all your good wishes, support, and Grommet purchases over the last year.  We really can, together, decide which products get found, shared, supported, and bought. Truly.  Please keep spreading the word….we depend on it–and we want to get to our second birthday, for sure.

You can email me, or leave a comment here. ( jules @ dailygrommet . com)

My mom had some recent, harsh medical treatments which have left her feet numb, and sensitive to pressure. Over the last several months her choice of tolerable footwear from her closet steadily boiled down to one clunky pair of Crocs.   Yet it still hurt so much to walk on those hard-soled shoes, that she couldn’t get out of her apartment to shop for new footwear.  She became nearly housebound.

So, I asked her to describe what style of shoes she guessed would work.  (Appearance, closures, comfort features) I went on the Zappos site and ordered six likely candidates.  They arrived promptly and two pair hit the target.

Since my mom doesn’t use her computer right now (her hands are also numb, making it hard to type), she called Zappos to get instructions on returning the shoes she didn’t want to keep.    Being a friendly Midwesterner, one thing led to another, and before she knew it she’d had a long, warm conversation with the Zappo’s employee.  She learned that the Zappos person’s father had similar neurological effects from diabetes, my mom revealed she was widowed and that my dad also died of diabetes-related issues, and the Zappos  person gently inquired about my mom’s current health battles.  The Zappos person ended the call with a promise to pray for my mom.

My mom called me to relay the news, and I could hear the smile on her face 600 miles away.

Two days later, she called again, saying that the “lovely” Zappos person had sent her an enormous bouquet of lilies and roses, to let her know she was thinking of her.

bouquet-ex

My sister emailed the company to thank Zappos (which is now not  simply a “company”, but a group of people to my family) for taking such good care of my Mom.

Two days later, my mom, sister, and I were contacted and told we are now “Zappos VIP members,” which entitles us to free expedited shipping on all our orders.

My sister vows to buy every pair of shoes, from now on, from Zappos.

I’ve read a lot about  the Zappos CEO, Tony Hsieh’s vision for a company full of people who act like individuals, not policy-controlled robots.   I’ve seen their Facebook fan page posts about anything from their dogs to celebrity visits to headquarters.  I’ve seen their employee videos about products in which their natural, unscripted delivery, and totally average looking appearances, make me trust them.

But this bouquet of flowers delivered on the vision.  It showed me Tony’s confidence in his employees and himself, to do the right thing.  To be big, while acting small.  Wow.

One can only laugh

I love to work with funny people.   Patti Purcell, our COO, outdid herself yesterday at the MTLC unConference.  Here’s the scene:

Venture Capitalist, with British accent, casually meeting Patti for the first time:

So what do you do?

Patti starts to answer him, but the man immediately begins scanning the room, not listening to a word she says.

Patti changes tack and says,

Basically I spend most of the day plucking eyeballs off of baby dolls.

Mr. VC nodded vaguely, and wandered off.  A nearby bystander said,

What did you just say??

I, myself,  FOMCALMAO.  (Google it.)

softgoodsketch_4I’m risking bragging about my son’s birth here, but there are no gushing bodily fluids in this story.  I’m talking about him birthing a product.  He’s an industrial design student and was part of a three-person team to develop a Chef’s backpack.  The team’s design process was nicely depicted and discussed on the hip design site, Core77 and –WOW!…Wired magazine just wrote a nice review too.

People don’t often get direct exposure to what an industrial designer does and it’s pretty engaging stuff.  I like this Core77 story because it is easy to quickly scan (lots of pictures) and grasp  the process of this project. And I thought the Chef’s Backpack answered a real need quite nicely.  (But then I am a rabid Top Chef fan….)

But here is the one actual “mom story” part.  I happened to visit my son the weekend his team was constructing the first backpack prototype.  It required a lot of pattern making and sewing.  I am a pretty skilled seamstress and I would have been slayed by the amount of work ahead of these completely unaware students.  I started to hyperventilate in the design studio (it was Sunday afternoon, and the project was due the next day).  When I repeatedly offered to help and started rolling up my sleeves, my son kindly escorted me to the door to “make it to the airport nice and early.”

Later he told me, “You know how you were saying that our professors assigned a ridiculous deadline on this massive project?  At Carnegie Mellon we don’t think like that.  We just get the job done.”  I was impressed.  At the University of Michigan we might have held a sit-in and organized a Design Students Union with cards and membership dues.

Students on the team:  Dane Pieri, Julius Tarng, Albert Junehwan Song

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